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Dave Griffiths is an artist and curator based in Manchester, UK. He explores our contemporary use of photographic images as lenses through which we commemorate and navigate our history. Griffiths combines archive fragments and acts of durational seeing, with hybrid remixes of film, video, print, sculpture and network media. He attempts to create playful narratives that consider our media artefacts as observatories through which we locate our being within deep time and space. Griffiths is currently researching the material and historical possibilities of microfilm. He employs this archaic media in acts of memory, participation and speculation about the future survival and reception of contemporary photographic images.

Dave Griffiths is an organiser of Manchester’s Film Material Soup. He was nominated for Northern Art Prize 2013. In 2012 he was included in the first ever video art exhibition in Tripoli. His 2012 solo exhibition Babel Fiche at Castlefield Gallery was supported by Film and Video Umbrella and MIRIAD. In 2010 Griffiths co-curated the major exhibition UnSpooling – Artists and Cinema at Cornerhouse. His ongoing Griffiths Cue-Dot Observatory is a series of videos, prints and film sculptures investigating an archaeology of movie changeovers. Griffiths exhibits internationally, and in 2009 his Seer’s Catalogue was awarded at Madrid Experimental Film Week and Swedenborg Society, London. His work has been profiled in Art Monthly, Corridor8, The Guardian, Flash Art, Aesthetica, AN and numerous DVD compilations. From 1997-2000, he was a member of rock/performance collective Whitecube.  Dave Griffiths is represented by Bureau, and teaches at Manchester School of Art.